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[ d a y s 1-4 ]
Development and Pre-Production
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The first crucial steps that will make or break a film
are taken here. You are a co-producer. You will be an essential member of the crew.
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[ d a y s 5-9 ]
Principal Photography, Post-Production and Marketing
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Put your skills to the test by working with key professionals
to shoot and edit a rough cut. |
"I have never been so disappointed to go back to my day job as I was after those two weeks. It was truly
remarkable." – Rabiah Coon
Indie Filmmaker's Bootcamp
2007 San Diego, CA dates to be announced
Sessions run 9 am to 3 pm, except where noted
Screenplay Development I Cinematography I Scouting Locations Sound Recording I Production Management I Budgeting & Scheduling Script Supervision I Gripping & Electric I Casting & Working with Actors Wardrobe & Make-up I Editing I Distribution Strategies I and more
Daily Schedule
Day 1 - Saturday, TBA
>> DEVELOPMENT
Day 2 - Sunday, TBA
>> PRE-PRODUCTION START
Day 3 - Monday, TBA
>> PRE-PRODUCTION & CASTING
Day 4 - Tuesday, TBA
>> PRE-PRODUCTION FINALIZATION
[ ! ] (min. 8 to 10-hour day)
Day 5 - Wednesday, TBA
>> PRINCIPAL PHOTOGRAPHY (DAY 1)
[ ! ] Shooting on Location (min. 12-hour day)
"I've learned more in a 12-hour shoot than four years in the media program at [a prominent California
university], and at the end of the day, weary and hungry, I knew that I made the right choice to do this because I would've
loved working eight more hours to get that perfect shot." – Brian Kim
Day 6 - Thursday, TBA
>> PRINCIPAL PHOTOGRAPHY (DAY 2)
[ ! ] Shooting on Location (min. 12-hour day)
Day 7 - Friday, TBA
>> PICK-UPS, DAILIES & EDITING
Day 8 - Saturday, TBA
>> POST PRODUCTION: EDITING
Day 9 - Sunday, TBA
>> THE ROUGH CUT, DISTRIBUTION AND EXHIBITION
Please note that schedule is subject to change.
For more information, email moreinfo@IndieFilmmakersBootcamp.com / (619) 303-8185
Or: msg @ aaarts.com
- Copyright © 2003-2007 The American Academy of Arts -
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